The motif is square with marked entrances on facing sides.
Within, there is blue with flowers in yellow, red, green, and white
On the other sides. This area surrounds a red octagon, which
contains a white on black border of wavy lines and strict
Rectangles, which surrounds a white bow- tie imposed
On a long thin rectangle. In its very centre, enclosed,
is a small black circle with four segments yellow- red
yellow-red. On my runner carpet the motif is repeated
four times. It was likely made in the high grazing lands
of the Zagros mountains in Iran, by a young woman
using a horizontal loom, with wool from her sheep
and goats, for sale in the city of Shiraz, but she might keep
the same motif for the rugs in her family tent, the siah-
-chador, which can be easily transported by donkeys or
camel. It is a common enough image to be recognised as
A walled garden, also the Gods’ garden, or pairidaeza
In Old Persian, which is an image of the complete truth
Of life, the flowers standing for growth and beauty, blue
For water and sky, the octagon for universal balance
Within which black is the colour of earth and all that springs
From it, while white is the colour of heaven. The bow-tie
Motif is probably a star, and at its heart the circle ties
Together the yellow of sun and the red of fire, heaven
And hearth, a hint that the whole motif may also be a version
Of the black shelter, the family tent and its inhabitants,
Who hope to mirror paradise in their living. The rug is an implant,
skilled weaver, of your clear faith and custom thousands of miles
From your upland home into my study, house, society, and style
Of life, which are blest by them, not least that I can journey
With you on tracks amid the mountain flowers, in a sweet country
of new grass and harsh rains, to live by the freedom
And discipline of paradise, knowing how much I need them.
