The USA and Israel killed him and his family on the first
Day of their war, Ayatollah Khomenei, who in repeated bursts
Of repression had killed thousands of his protesting citizens
Who did not share his ludicrous view that their offence
Was rejection of Allah and worthy of the death penalty.
Now, with the war declared a victory of both sides, melodies
Of patriotism call Iranians to their leader’s funeral. From
All over Iran, in buses, trains and cars, on willing feet they come
Many hundreds of thousands, together, then divided into female
And male cohorts for solemn assembly. These women are not frail
But, ranged in rows, project the power of people much kept down
Yet freed in this vast crowd. Their lips are parted, not in sound
But silent ecstasy of grief at all that must be borne,, including
Their leader’s death, and anger at the unbelievers’ stupid
Military that wiped a school and all its pupils from the map.
A dullness in their eyes says if I make a criticism or madcap
Joke amongst them, they’ll murder me and eat my balls.
Then I remember Paul Fusco’s photos of Bobby Kennedy’s funeral
Train from New York to Washington with people all down the line
Showing respect, especially the poor who saw him as a sign
Of hope because he knew the arc of the moral universe does not bend
Toward justice without the contemporary commitment
Of decent citizens. So, there they are, his people, marshalling
Themselves along the track, not in military formation, but calling
Families and friends into groups that speak of love and the struggle
To survive, as for example the family at the yard door of an ugly
Three story brick house, black people standing with pride, parents
And at least four children on the step, the eldest out front, wearing
Sunday best for the man who understood their royalty and was steering
The state towards their kingdom. The mother and eldest daughter wave
Affectionately towards RFK as he journeys towards his grave.
“Many people see the way things are and ask, Why? But
I see things that do not yet exist and ask, Why not?”
Fusco’s photos are a joyful critique of the Islamic Republic
Of Iran, and of Trump’s sad superpower America.
